The Year That Was

The year is winding down rapidly – time for one last post before we roll over into the 2020s. As a sort of recap I thought I’d take a look back at 2019 as it unfolded from my perspective. As it turns out there’s quite a lot to review!

The biggest news, for me at least, was the release of Terror in High Water. I can’t say enough how pleased I am with how it turned out, and the kind words and support I’ve received. It’s widely available on numerous platforms in paperback and ebook.

My story, The Grand Finale, appeared in the Deadly Bargain anthology. It too was well received, and I’m proud of my inclusion in its pages.

The Canadian Dreadful anthology was next. This was a learning experience that contains a version of my story, The Sound of Passing Traffic.

Speaking of learning experiences, this fall saw the debut of my new course, An Introduction to Publishing. It’s a one-day seminar that’s a sort of companion piece to my Crafting the Short Story course. Both are offered through UNB’s College of Extended Learning and will continue into 2020 and beyond.

High Water has drawn interest locally in a few ways. A signed copy was included as part of a prize package offered by Fred-E-Scene, which is a showcase of local news, business, arts and leisure, and more. It’s a great resource that I highly recommend for anyone in or around the area.

I recently did an interview with Allan Hudson, founder and driving force behind the South Branch Scribbler. It was a cool experience in which we discussed a variety of topics. You’ll be able to check out in the coming weeks – I’ll keep you posted there.

Another “I’ll keep you posted” item is my first foray into children’s horror. Mother Ghost’s Grimm is a multi-part series focused on horror (age appropriate, obviously) for young children. Volume One, which includes a number of my friends, released earlier this month. I’ve got a story called The Little Ones in the forthcoming Volume Two, in which I’ll share pages with many other friends and my better half, Sheryl. She’s got a new release as well, an all-Canadian anthology called Creatures in Canada. It’s got a great author list and lots of cool stories. Worth a look!

Lastly, even though it won’t see the light of day until well into the new year: I’ve sent my second novel, Seventeen Skulls, to my publisher just before Christmas. It’s far too early in the process to divulge any more than that, but as with everything else on the horizon, I’ll keep you posted.

Have a safe and Happy New Year. Thank you for your support and all the cool experiences. See you on the other side!

-JP

All the New Things

It’s been a very good couple of days here, and I wanted to share some of what’s been going on with you.

A quick update, hot on the heels of the excitement of my novel’s debut: Terror in High Water is now available for pre-order on Amazon. Only in Kindle for now, but it will be available in paperback.

In the spirit of back to school week, the fall session of Crafting the Short Story kicks off on September 23rd – coincidentally, launch day for Terror in High Water. A busy day ahead!

In addition, beginning this fall we’re test-driving a new course. It’s sort of a companion piece to the short story class but can also stand alone. It’s called An Introduction to Publishing, and the name says it all – this is a crash course on some of the basics involved with the publishing industry. This is largely being offered due to feedback and suggestions from those who have taken the short story classes. It’s a single session course where we’ll get together on a Saturday afternoon and have a discussion about publishing.

Last but not least, this week I spread my wings a little bit and expanded into… children’s books? Yes, as unlikely as it sounds, I’ve written a story that will appear in an anthology for kids. Details to follow, but for now (and for the second time this week) here’s a sneak peek at the cover art:

 

Mother Ghost's Grimm

Fun stuff! I’m pretty happy about the idea of writing for kids, even if it turns out to be just a one-off event. The coolest part, at least for me, is the fact that I will be joined in this collection by my wife, Sheryl. For those who don’t know, Sheryl is my de facto in-house editor, and quite a talented writer to boot. Sharing pages with her is something I’ve wanted to do for a while. This winter (hopefully in time for Christmas!), we’ll get to do that.

I know, a lot to process and take in for one day. I’ll leave it there for now, and bombard you with more interesting tidbits as they unfold.

– JP

Reviews, Interviews, and a New Course

This week I learned that Canadian Dreadful will be reviewed by the excellent Kendall Reviews. Needless to say, I’m pretty excited about this. For those who aren’t familiar with the site, it’s a great resource for horror writers and readers alike. Books are reviewed, authors are interviewed, and horror is promoted and advanced to the delight and general betterment of all. I’ll post links to the review and my interview here when they go live.

In other news, I’ll be adding another course to the repertoire. Beginning this fall, “An Introduction to Publishing” will be offered once per semester (or more, if the demand is high). What’s this all about, you may ask. Well, in “Crafting the Short Story” we cover a lot of the basics of actual writing – character development, scene writing, plot, good writing habits, and so on. All the tools you need to start (or continue) writing in one convenient stop.

But over the years many have expressed a desire to learn more about the publishing side of things. “You’ve taught us to write,” they’ve said, “but now what? What do we do with the things we’ve written?” An excellent question. I attempt to touch on some of the basics in my course, but time constraints don’t allow for much more than a quick overview that doesn’t really do it justice. I feel like there are a lot of pitfalls to navigate along the way, many of which are avoidable. I took these concerns to the powers that be, and we agreed that such a course could be beneficial.

I’m no expert, and there are plenty of things I don’t know. What I can offer are the things I do know: all the little tips and tricks I’ve picked up along the way, from speaking with other authors to having gone through the publishing process myself. How to locate and identify potential markets for your work. What red flags to watch for in a publishing contract. Whether a given publisher is a good fit for you. The scams that pervade our industry. These are things that are far less pleasant to learn the hard way, and I’m happy to share what insights I have into these and other topics.

This course can be viewed as a companion to Crafting the Short Story, a sort of extension. It can also, however, stand alone as a very informative session even for those who haven’t taken the first course.

I’ll update and share links when all the T’s are crossed and the I’s are dotted. Speaking of which, the next session of Crafting the Short Story kicks off on September 23rd. I realize that’s over a month away but fear not, I will post ample reminders between now and then!

– JP